Let us live in the eyes of the night
Where the children spring from broken mattresses
Into graveyards and underpasses
Where they still huddle together to listen to radios
All one thousand and one nights
And while she moaned over batteries and cars stuck on bridges
She reminded them that the eyes had turned deserts into gardens
All in the blink of One love
She transcends the nation of her graveyard and speaks
The dance of Saladin's gold Eagle
That took flight from her voice and melted into liquid prayers
That she recited just as a little girl
As her voice nestled between the dinner of lovers
And the impatience of taxi drivers was thought to be peace
Yearning screeched through the drumming of death in numbered heartbeats
Flying to the stage just before the opening curtain
When masses transcended upon Freedom without really knowing what it meant
and chords of violin strings were plucked like eyebrows, smoothly curving
To her Voice
Telling the sunlight, Come on over! Come on over! After one year, not before!
And the audience roared. And still the people died.
Awsiflak! she screams to her beloved as he is trampled by the stockpile
Of the Arab World's expectations demanding him to blossom
By the grasp of motherland,
Batons falling to the ground,
Crashing
Picked back up
And waived above her head like microphones
And waived above her head like microphones
We were not in love yesterday, and so we do remember
How lonely our bellies felt when we felt the first crack of hunger
But today we are in love with the voice in our head
Who asks for minutes on end, Al Zay
As the world stares up
Singing to the night and its sky,
Its stars and moons
Keeping awake all night
Her spirit in a war between
History, death, and future
Oh where is her voice
That sang the color of blushing cheeks that came
as Freedom from monarchy
Had been replaced by led bulleted bars
Oh Egypt, oh what shame
And we say, A night like tonight
When children flee the gas of crowns
When police emerge from the costumes of saints
We followed the Star of the East
Baghdad, Damascus, and Beirut trembling
Under the cries of an empty echo of her being
We hold hands to hide our eagle in the nest of our locked fingers
We hold hands to hide our eagle in the nest of our locked fingers
As they spray us with the stench of tears
Egypt, flipping the cassette over and over
Anticipating the introduction
Waiting for the applause, the shouts of excited men,
The climax, the roar of completion
Waiting for the applause, the shouts of excited men,
The climax, the roar of completion
Rehearsing love making
The moans, her longing, the saxophone crying
the Rebirth of Egypt
She begins,
our lips quiver.
Oum Kulthum is singing
Now, in the steps of our march
You and I my love, my sweetheart
Walk with me one thousand and one nights
until they all become equal
In the rhythm of fortitude and nation
As we watch our Child take her first steps
In the rhythm of fortitude and nation
As we watch our Child take her first steps
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