Monday, November 14, 2011

To Linah Al Saafin, Al Bireh critic

[this is not a satire]

In what was supposedly a brave attempt at satire, Linah Al Saafin seemed to have landed herself into some drama as locals and those in diaspora read her blogpost about the natives of Al Bireh, herself being one too. As commentary became limited, and reactions seemed to rage in Al Bireh this summer, the notion or the intention of the blogpost will always be left unknown. After all, in literary or critical analysis, it is not typically the intention of the writer that academics seek to understand, but the structure and tools employed that lead us to perceive these intentions. Ignoring the slanderous attack on people from Al Bireh, the most offensive thing about Al Saafin's writing is that it simply does not reflect the true nature of what "satire" means, manipulating a form of writing for mere self defense. This weakness makes her article, and backlash at those who found it offensive, flimsy. It would have been applauded if, when reacting, she had tried to be consistent with the notion of satire. But her defensiveness gave way to her emotions.

When one watches Colbert Report or South Park, they understand that the shows are what we term to be Contemporary Satires. Yet it baffles me where Al Saafin's writing falls, for it does not fit under Anglo-American nor is it Medieval. It certainly does not mimic anything Quintillian. There is no juxtaposition. The use of poor language certainly make it anything short of witty. Thus Al Saafin unfortunately falls short of satire, while that may have been her intention, making her writing to be presumed as ridicule. This is not uncommon to happen, as poor writings in the past have been seen as hateful while the author may have truly been attempting to be satirical.

Al Saafin is still a developing writer and perhaps prematurely tried to tackle the difficult nature of writing a satire. It has a very fine line, and unfortunately for Saafin, readers did not discuss the satire but rather the social implications of what she had written 

While some of the jokes and stereotypes of families from Al Bireh are shared here, Al Saafin takes it a bit too far. Calling the village's girls whores, or too cheap and sleeping on cardboard, takes it a bit too far, especially considering that Al Saafin is from and living in Al Bireh herself. She goes to also attack those living in diaspora as "shitheads" who are not educated.

The alarming factor of her post, is it seems that Al Saafin is legitimizing her lashing out at Al Bireh by contrasting it to her Gaza background as well. And thus, in a cheap way to attract the reader, she tries to get away with serious offenses against the people of Al Bireh by capitalizing on the immediate connotations of what Gaza is. Manipulating the Gaza factor, she tries to draw sympathy to her justified hate. While she attacks the elder women of the village for their sharp tongues, Linah Al Saafin simply does the same in this post. She does not offer an alternative to what she is writing about and flagrantly uses language to attack.

Further ignoring this factor, it is with deep shame that I write that websites like Electronic Intifada and the various campaigns like Freedom Waves and Freedom Riders seek the assistance of Linah Al Saafin while not holding her accountable to the harsh words she has published. While she champions herself as an advocate for Palestinian rights, her dehumanization of an entire village, manipulation of Gaza for sympathy, and attempt to configure this all into a "satire" does no justice to her cause of really defending and upholding the essence of Palestine. After all, many diaspora villages are riddled with mixed identities of their diaspora experience, and this is common when speaking of entirely displaced populations, whether forcefully or by condition. While it is understood some social issues exist in Al Bireh and the greater Ramallah area, there are more constructive ways to go about this. But sadly, Al Saafin did the reactionary thing--which begins as secondary,  a step behind the initial action, and sometimes descends into a backwards motion.

It is humbly requested that Al Saafin address her writing about Al Bireh with a constructive follow up, reflection of her method, and an evaluation of what her intentions may have been perceived as. After all, it may have been a social experiment for all the reader knows (something by which writers can manipulate when they fall into trouble). To leave that post unanswered, yet allow Al Saafin to assume a role in media and publicity for the popular causes in Palestine is a complete disservice to the cause. Electronic Intifada must be held accountable in promoting such a writer if EI truly is invested in and promotes the humanization of all Palestine. And to take a step further, perhaps Al Saafin can attempt to write another satire and writers interested can help her develop her technique. Because to the outside reader, the one not residing nor aware of what Al Bireh or Palestine is, Al Saafin may have just lent the enemies of the Palestinian cause ammunition against our unity.

10 comments:

  1. Who EVER wrote this,... HAVE Deep and SERIOUS issues !! ,.. i MEAN REALLY ?!!! ,... btw if u red her article while being SOBER, u would see where u went wornG !

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  2. Wow. There r so many things wrong with this article that I don't know where to begin. Not only is Linah's artical satirical, it's damn funny too. As a native Biraweya (meaning both my parents r from the Bireh), I wasn't offended at all & I can tell u that these r jokes we Birawees toss at each other.

    It is interesting that u refer to Linah as a native Birawee when in actuality, she is seen as an outsider as her father is from Gaza lol. She herself pointed this out. After all, it is well known that in the Bireh, a ghareeb is a ghareeb lol.

    Please, before we start accusing others of poor language, perhaps we should proofread our own work. The readers who discussed the social implications of what was written were on the right track, as good criticism should take this into account, but their conclusions were not necessarily correct. Furthermore, as a reader, I did discuss the satirical nature with others. You should give people more credit. I don't think that an amusing article should stand in the way of Linah's activism. They are 2 separate things & a writer should not be pigeonholed into writing only 1 type of narrative. I LOVE Al-Bireh & I am proud to be from this great city. Anyone who misunderstood Linah's article or who now takes a dim view of Al-Bireh & Barawees as a result is sadly lacking in intelligence.

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  3. I still don't understand why Linah's activist writings are mentioned..as if a writer is tied down to one specific subject..


    ..................................

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  4. Whoever wrote this was sober, ps it's spelled w-r-o-n-g. Lila, I hope your baby is doing well. There is no deep intellectual issue here except the article has no control over tone and no comedic control. It was found offensive by many, a reaction that the writer is responsible for. And finally, sometimes people tie themselves down to one specific subject by not learning to develop their writing technique and using poor language. Anyways it is good to see that family and friends are defending in tribal fashion. Thanks for the website hits!

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  5. I don't know Linah personally, and i am against your somewhat tragic views. This isn't because i am family or a friend. With all due respect, your accusation is childish.

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  6. With all due respect, when one is usually criticizing a written piece they take elements from that written piece and assess them. Ignore the writer(s) and look at the quality of writing. That is what a critique is. What is tragic is that people are so insecure, they make things personal. This post even offers a suggestion to do a follow up satire piece or something addressing it--which would be good and interesting to read. Where is the tragedy except where people will not acknowledge authentic reactions? Is the writer not responsible because cronies come and throw names around and say things like "childish?" Come on now, use your brains a little more in assessing the elements without making this about one's ego or person.

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  7. Hey all!

    I know Lina edited her piece when people were getting super pissed off, and that has to be taken into account!

    Also it looks like nothing is 3aib anymore. its cool to call people names online and get away with it? That's not what Al Bireh was about. Dont care if you are "ghareb" or not. Be classy not trashy.

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  8. heheheheeeeeee thanx for the spilling bee Mr. "Wrong" , the fact that u r focusing on this matter tells me abt how shallow u r, of course, i didn't need that hint since i already SINCED that in ur article, and btw the fact that u took the time to write abt an article for linah tells me that at least some of what she wrote is right, and i didn't want to mention this, but your understanding of SATIRE is weird boy ! ... its exactly like the colbert report ,... do you know why Bill O'reilly hates him ? .... cmn man dont put your self in such Embarrassing situations,... and 1 last thing .... the description she said in that article GOSE FOR MOST of the LIVING arabian in this time ,... so just save ur self the embarrassment and shut IT !!!

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  9. Baby's doing good Alhamdullilah lol. You're right that some people found Linah's article offensive but than we can't always please everyone & I have found that some of the best writing tends 2 be controversial. I thought Linah controlled her tone quite well in her article but when it comes 2 humor, it is a matter of perspective. For example, my sense of humor is quite wide and accepting (think of "The Simpsons") whereas others get offended at what I find funny. It has caused me problems in the past lol. You can only develop ur writing technique & ur language usage by actually writing. Linah is not the one that tied herself 2 one subjct which is where u seem 2 take issue with her. If I'm not mistaken, u don't think she should be writing activist material due 2 her Birawee article & my point is that a writer should not be tied down 2 one type of writing or genre.

    I agree w/ Fatima A that "when one is usually criticizing a written piece they take elements from that written piece and assess them". I would like 2 see u do that. For example, when u state that she has lost control over her tone, give examples from her article that support that.

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  10. visual comedy is a lot different than written. Written can get torn apart very easily and requires preciseness. But it happens to even the best comedians, something they write versus something they perform could be interpreted very differently. I guess with comedy, sometimes we bank too much on presentation skills.

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